Ansamblul de Dansuri \"Trei Scaune\"- \"H\u00e1romsz\u00e9k\" preg\u0103te\u0219te un nou spectacol dup\u0103 \"Tragedia omului\" de Imre Mad\u00e1ch, Tragedia este regizat \u0219i coregrafiat de \u00c1rp\u00e1d K\u00f6nczei.<\/p>\n\n\n\n
G\u00e2ndurile lui \u00c1rp\u00e1d K\u00f6nczei despre spectacol:<\/p>\n\n\n\n
\u201e<\/strong>De ce?<\/p>\n\n\n\n \u201dDe ce cred c\u0103 este posibil o coregrafie, un spectacol de dans din Tragedia lui Mad\u00e1ch? Oare se poate exprima complexitatea \u0219i drama filosofic\u0103 a textului lui Mad\u00e1ch printr-o serie de elemente \u2013 muzic\u0103, dans, scenografie, film - sau condamn\u0103m piesa la e\u0219ec, precum logica, negarea \u0219i ra\u021bionamentul sever Luciferian, care g\u0103se\u0219te defect \u00een orice?<\/p>\n\n\n\n Scriitorul, poetul \u0219i filozoful britanic Aldous Huxley a scris cel mai cunoscut roman al s\u0103u distopic Brave New World \u00een 1931. Romanul este plasat \u00eentr-un viitor \u00eendep\u0103rtat, imaginar: o societate perfect organizat\u0103, un sistem de caste \u0219tiin\u021bifice, liberul arbitru eradicat prin educa\u021bie riguroas\u0103, sexualitate deasupra familiei \u0219i servitudine f\u0103cut\u0103 suportabil\u0103 cu ajutorul drogului perfect numit \"Soma\". \u00cen 1958, la dou\u0103zeci \u0219i \u0219ase de ani de la publicarea romanului din 1932, Huxley scrie urm\u0103toarele \u00eentr-o serie de eseuri intitulate Return to the Brave New World: \"Predic\u021biile mele din 1931 se adeveresc mult mai repede dec\u00e2t m\u0103 a\u0219teptam\". Huxley a murit \u00een 1963, ce ar fi spus oare el despre prezentul nostru?<\/p>\n\n\n\n Studiul lui Huxley m-a orientat spre lucr\u0103rile lui Mad\u00e1ch Imre. Mad\u00e1ch a avut o viziune similar\u0103 asupra viitorului cu 100 de ani \u00eenaintea lui Huxley. Pe vremea lui Mad\u00e1ch Londra era cea mai avansat\u0103 societate din Europa \u0219i din lume, cu o putere industrial\u0103 \u0219i economic\u0103 monumental\u0103. Totu\u0219i Tragedia lui Mad\u00e1ch nu se sf\u00e2r\u0219e\u0219te cu scena din Londra, propriul s\u0103u prezent, ci \u00een contemplarea asupra viitorului lui Adam \u0219i Eva. Scenele falanster, spa\u021biul sau cu eschimo\u0219i sunt toate previziuni pesimiste, distopice ale c\u0103derii \u0219i distrugerii omului. Sunt convins c\u0103 textele lui Mad\u00e1ch pe care le folosim \u00een spectacolul nostru de dans teatru - \"Omul a devenit mai puternic dec\u00e2t Dumnezeu\" - (Faraon), sunt \u00eenc\u0103 valabile \u0219i relevante \u0219i ast\u0103zi. Da, acum se formeaz\u0103 o nou\u0103 ordine, o lume nou\u0103 \u0219i curajoas\u0103 (brave new world), \u00een care suntem vr\u0103ji\u021bi cu frumoasele promisiuni, marile sloganuri: egalitate, fraternitate, libertate!. Prin sp\u0103larea creierului prezis\u0103 de Huxley ademenesc oamenii cu sloganuri \u0219i concepte care nu au fost niciodat\u0103 respectate, cu scopul de a redirec\u021biona masele \u00een falanstere noi.<\/p>\n\n\n\n Inten\u021bia spectacolului este s\u0103 fie o provocare pentru omul g\u00e2nditor. Folosind mijloacele artei dansului (dans popular, dans contemporan, arta mi\u0219c\u0103rii) produc\u021bia pune \u00eentreb\u0103ri despre rela\u021bia dintre b\u0103rbat \u0219i femeie, rela\u021bia dintre individ \u0219i mase, credin\u021b\u0103, iubire, libertate, competi\u021bie, fenomenul falanster \u0219i \u00eencearc\u0103 s\u0103 ofere \u0219i r\u0103spunsuri. F\u0103r\u0103 trecut nu exist\u0103 viitor, spune Babits (*Babits Mih\u00e1ly), iar eu afirm c\u0103 f\u0103r\u0103 ideea viitorului nu avem viitor. Cu g\u00e2ndurile lui Mad\u00e1ch: s\u0103 lupt\u0103m \u0219i s\u0103 credem!\u201d<\/p>\n\n\n\n DISTRIBU\u021aIA<\/strong><\/p>\n\n\n\n Domnul - Fazakas Tam\u00e1s Sclavi, corul, eretici, prieteni, revolu\u021bionari, cet\u0103\u021beni, muncitori, studen\u021bi, locuitori ai falansteriei: \u2013 \u00c1d\u00e1m J\u00falia, Both Eszter, Fazakas M\u00f3nika, Gere Gabriella, Kocsis Lilla-T\u00fcnde, Luk\u00e1cs R\u00e9ka, Podholiczky Rebeka R\u00e1hel, Vass T\u00fcnde, Vit\u00e1lyos Dorottya, Bakos Ern\u0151, Balla Gergely, F\u00fcl\u00f6p Zolt\u00e1n-J\u00f3zsef, Gere Csaba, Kiss Adorj\u00e1n, P\u00e1vel Hunor-Mih\u00e1ly, Portik Norbert, Szvinyuk S\u00e1ndor<\/p>\n\n\n\n Forma\u021bia Heveder:<\/strong> Fazakas Levente, Fazakas Albert, Szil\u00e1gyi L\u00e1szl\u00f3, Bajna Gy\u00f6rgy<\/p>\n\n\n\n Colaboratori la \u00eenregistr\u0103ri: \u00c1rend\u00e1s P\u00e9ter, Bajna Gy\u00f6rgy, Fazakas Albert, Fazakas Levente, Kert\u00e9sz J\u00e1nos, ifj. Koszor\u00fas K\u00e1lm\u00e1n, K\u00f6nczei \u00c1rp\u00e1d, Liber R\u00f3bert, Papp Istv\u00e1n G\u00e1zsa, P\u00e9ter J\u00e1nos, R\u00e9man Zolt\u00e1n, Szil\u00e1gyi L\u00e1szl\u00f3 Creatori:<\/strong> Afi\u0219 design: Kusztos Attila<\/strong><\/p>\n\n\n\n Regizor culise: Kar\u00e1csony Endre Spectacolul nu este recomandat copiilor sub 14 ani!<\/p>\n\n\n\n Premier\u0103: 6 decembrie 2022, ora 19:00 - Teatrul Tam\u00e1si \u00c1ron , Sala Mare Biletele pentru spectacol pot fi achizi\u021bionate de la Casa de Bilete din centru. Mad\u00e1ch Imre Az ember trag\u00e9di\u00e1ja nyom\u00e1n\u00a0\u00faj bemutat\u00f3ra k\u00e9sz\u00fcl a H\u00e1romsz\u00e9k T\u00e1ncegy\u00fcttes. A Trag\u00e9dia c. t\u00e1ncsz\u00ednh\u00e1zi el\u0151ad\u00e1s rendez\u0151- koreogr\u00e1fusa K\u00f6nczei \u00c1rp\u00e1d.\u00a0<\/p>","protected":false},"author":3,"featured_media":7573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-7572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/posts\/7572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/comments?post=7572"}],"version-history":[{"count":2,"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/posts\/7572\/revisions"}],"predecessor-version":[{"id":7575,"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/posts\/7572\/revisions\/7575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/media\/7573"}],"wp:attachment":[{"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/media?parent=7572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/categories?post=7572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/tags?post=7572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Corul de \u00eengeri - Iffi\u00fa Bor\u00f3ka, Kocsis Tekla, Kocsis \u00dcnige, Kolcs\u00e1r Zonga, Szil\u00e1gyi Katalin, Vetr\u00f3 Bodoni Fl\u00f3ra
Adam \u2013 M\u00e1rton Csaba
Eva \u2013 M\u00e1rton Edina-Em\u0151ke
Lucifer \u2013 Melles Endre
Mama P\u0103m\u00e2nt - Er\u0151ss Judit
Catulus \u2013 Kiss Adorj\u00e1n
Hippia \u2013 \u00c1d\u00e1m J\u00falia, Both Eszter
Cluvia \u2013 Podholiczky Rebeka R\u00e1hel, Vass T\u00fcnde
Gladiatori - Portik Norbert, Szvinyuk S\u00e1ndor
Apostolul Petru - Fazakas Levente
Helene \u2013 Luk\u00e1cs R\u00e9ka
Robespierre \u2013 Portik Norbert
Saint-Just \u2013 Kiss Adorj\u00e1n
Marquis aristocrat - F\u00fcl\u00f6p Zolt\u00e1n-J\u00f3zsef
Mama Evei - Luk\u00e1cs R\u00e9ka
Cercet\u0103tor\/conduc\u0103tor falanster- Kocsis Lilla-T\u00fcnde
Doi eschimo\u0219i - P\u00e1vel Hunor-Mih\u00e1ly, Szvinyuk S\u00e1ndor<\/p>\n\n\n\n
Post-produc\u021bie: Kert\u00e9sz Huba<\/p>\n\n\n\n
Dramaturg: Kozma Andr\u00e1s
Asistent coregraf: Melles Endre
Asistent coregraf, maestru de balet: Cseke \u00c1gnes
Asistent designer de costume: Cs\u00fcd\u00f6m Eszter
Maestru accesorii: Zayzon \u00c1d\u00e1m
Operator: L\u00e1szl\u00f3 Barna
Colaborator artistic, coregraf: ifj. Zsur\u00e1fszky Zolt\u00e1n, Harangoz\u00f3-d\u00edjas
Scenograf \u0219i designer de costume: Bal\u00e1zs Gy\u00f6ngyi
Compozitor, regizor- coregraf: K\u00f6nczei \u00c1rp\u00e1d Harangoz\u00f3-d\u00edjas<\/strong><\/p>\n\n\n\n
Lumini: Bed\u0151h\u00e1zi Alp\u00e1r
Sunet: Szanday Csongor
Personal scen\u0103: Fegyver Botond, Maksai G\u00e1bor, Vajda Attila
Garderobieri: Kis Gabriella, Para Kinga
Creatori de costume: Antal M\u00f3nika, Sipos- Ferencz Malvin
Referen\u021bi artistici: Szil\u00e1gyi L\u00e1szl\u00f3 B\u00e9la, Tusa Adorj\u00e1n
Secretar literar: Sz\u0151cs Ildik\u00f3
\u0218ef administrativ: K\u00e1tai Joc\u00f3
Maestru dans: Tekeres Gizella, Melles Endre
\u0218ef orchestr\u0103: Fazakas Levente
Director artistic: Iv\u00e1cson L\u00e1szl\u00f3
Director adjunct: Sipos No\u00e9mi
Director: Vir\u00e1g Endre<\/p>\n\n\n\n
<\/strong>Spectacolul urm\u0103tor: 7 decembrie, ora 19:00 - Teatrul Tam\u00e1si \u00c1ron , Sala Mare<\/p>\n\n\n\n
Programul de func\u021bionare al Biroului: luni \u0219i miercuri \u00eentre orele 08.00 \u0219i 16.00, mar\u021bi \u0219i joi \u00eentre orele 08.00 \u0219i 18.00, vineri \u00eentre orele 08.00 \u0219i 15.00, \u0219i cu o or\u0103 \u00eenainte de spectacole. Num\u0103r de telefon: 0267-312104.<\/p>","protected":false},"excerpt":{"rendered":"