{"id":7471,"date":"2023-04-18T13:18:52","date_gmt":"2023-04-18T10:18:52","guid":{"rendered":"https:\/\/hte.ro\/?post_type=eloadas&#038;p=7471"},"modified":"2026-03-19T12:58:38","modified_gmt":"2026-03-19T10:58:38","slug":"tragedia","status":"publish","type":"eloadas","link":"https:\/\/hte.ro\/ro\/eloadas\/tragedia\/","title":{"rendered":"Tragedie"},"content":{"rendered":"<div class=\"lazyblock-forditas-elso-Z2ufcJg wp-block-lazyblock-forditas-elso\"><\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Dup\u0103 \u201dTragedia omului\u201d de Imre Mad\u00e1ch<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De ce?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201dDe ce cred c\u0103 este posibil o coregrafie, un spectacol de dans din Tragedia lui Mad\u00e1ch? Oare se poate exprima complexitatea \u0219i drama filosofic\u0103 a textului lui Mad\u00e1ch printr-o serie de elemente \u2013 muzic\u0103, dans, scenografie, film - sau condamn\u0103m piesa la e\u0219ec, precum logica, negarea \u0219i ra\u021bionamentul sever Luciferian, care g\u0103se\u0219te defect \u00een orice?&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Scriitorul, poetul \u0219i filozoful britanic Aldous Huxley a scris cel mai cunoscut roman al s\u0103u distopic Brave New World \u00een 1931. Romanul este plasat \u00eentr-un viitor \u00eendep\u0103rtat, imaginar: o societate perfect organizat\u0103, un sistem de caste \u0219tiin\u021bifice, liberul arbitru eradicat prin educa\u021bie riguroas\u0103, sexualitate deasupra familiei \u0219i servitudine f\u0103cut\u0103 suportabil\u0103 cu ajutorul drogului perfect numit \"Soma\". \u00cen 1958, la dou\u0103zeci \u0219i \u0219ase de ani de la publicarea romanului din 1932, Huxley scrie urm\u0103toarele \u00eentr-o serie de eseuri intitulate Return to the Brave New World: \"Predic\u021biile mele din 1931 se adeveresc mult mai repede dec\u00e2t m\u0103 a\u0219teptam\". Huxley a murit \u00een 1963, ce ar fi spus oare el despre prezentul nostru?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Studiul lui Huxley m-a orientat spre lucr\u0103rile lui Mad\u00e1ch Imre. Mad\u00e1ch a avut o viziune similar\u0103 asupra viitorului cu 100 de ani \u00eenaintea lui Huxley. Pe vremea lui Mad\u00e1ch Londra era cea mai avansat\u0103 societate din Europa \u0219i din lume, cu o putere industrial\u0103 \u0219i economic\u0103 monumental\u0103. Totu\u0219i Tragedia lui Mad\u00e1ch nu se sf\u00e2r\u0219e\u0219te cu scena din Londra, propriul s\u0103u prezent, ci \u00een contemplarea asupra viitorului lui Adam \u0219i Eva. Scenele falanster, spa\u021biul sau cu eschimo\u0219i sunt toate previziuni pesimiste, distopice ale c\u0103derii \u0219i distrugerii omului. Sunt convins c\u0103 textele lui Mad\u00e1ch pe care le folosim \u00een spectacolul nostru de dans teatru - \"Omul a devenit mai puternic dec\u00e2t Dumnezeu\" - (Faraon), sunt \u00eenc\u0103 valabile \u0219i relevante \u0219i ast\u0103zi. Da, acum se formeaz\u0103 o nou\u0103 ordine, o lume nou\u0103 \u0219i curajoas\u0103 (brave new world), \u00een care suntem vr\u0103ji\u021bi cu frumoasele promisiuni, marile sloganuri: egalitate, fraternitate, libertate!. Prin sp\u0103larea creierului prezis\u0103 de Huxley ademenesc oamenii cu sloganuri \u0219i concepte care nu au fost niciodat\u0103 respectate, cu scopul de a redirec\u021biona masele \u00een falanstere noi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Inten\u021bia spectacolului este s\u0103 fie o provocare pentru omul g\u00e2nditor. Folosind mijloacele artei dansului (dans popular, dans contemporan, arta mi\u0219c\u0103rii) produc\u021bia pune \u00eentreb\u0103ri despre rela\u021bia dintre b\u0103rbat \u0219i femeie, rela\u021bia dintre individ \u0219i mase, credin\u021b\u0103, iubire, libertate, competi\u021bie, fenomenul falanster \u0219i \u00eencearc\u0103 s\u0103 ofere \u0219i r\u0103spunsuri. F\u0103r\u0103 trecut nu exist\u0103 viitor, spune Babits (*Babits Mih\u00e1ly), iar eu afirm c\u0103 f\u0103r\u0103 ideea viitorului nu avem viitor. Cu g\u00e2ndurile lui Mad\u00e1ch: s\u0103 lupt\u0103m \u0219i s\u0103 credem!\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00f6nczei \u00c1rp\u00e1d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DISTRIBU\u021aIA<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Domnul: Fazakas Tam\u00e1s<br>Corul de \u00eengeri: Iffi\u00fa Bor\u00f3ka, Kocsis Tekla, Kocsis \u00dcnige, Kolcs\u00e1r Zonga, Szil\u00e1gyi Katalin, Vetr\u00f3 Bodoni Fl\u00f3ra<br>Adam: M\u00e1rton Csaba<br>Eva: M\u00e1rton Edina-Em\u0151ke<br>Lucifer: Melles Endre<br>Mama P\u0103m\u00e2nt: Er\u0151ss Judit<br>Catulus: Kiss Albert-Adorj\u00e1n<strong>\u00a0<\/strong><br>Hippia: \u00c1d\u00e1m J\u00falia, Both Eszter<br>Cluvia: Podholiczky Rebeka R\u00e1hel, Vass T\u00fcnde<br>Gladiatori: Portik-Cseres Norbert, Szvinyuk S\u00e1ndor<br>Apostolul Petru: Fazakas Levente<br>Helene: Luk\u00e1cs R\u00e9ka<br>Robespierre: Portik-Cseres Norbert<br>Saint-Just: Kiss Albert-Adorj\u00e1n<strong>\u00a0<\/strong><br>Marquis aristocrat: F\u00fcl\u00f6p Zolt\u00e1n-J\u00f3zsef<br>Mama Evei: Luk\u00e1cs R\u00e9ka<br>Cercet\u0103tor\/conduc\u0103tor falanster: Kocsis Lilla-T\u00fcnde<br>Doi eschimo\u0219i: P\u00e1vel Hunor-Mih\u00e1ly, Szvinyuk S\u00e1ndor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sclavi, corul, eretici, prieteni, revolu\u021bionari, cet\u0103\u021beni, muncitori, studen\u021bi, locuitori ai falansteriei:<\/strong>&nbsp;\u00c1d\u00e1m J\u00falia, Both Eszter, Fazakas M\u00f3nika, Gere Gabriella, Kocsis Lilla-T\u00fcnde, Luk\u00e1cs R\u00e9ka, Podholiczky Rebeka R\u00e1hel, Vass T\u00fcnde, Vit\u00e1lyos Dorottya, Balla Gergely, F\u00fcl\u00f6p Zolt\u00e1n-J\u00f3zsef, Gere Csaba, Kiss Adorj\u00e1n, P\u00e1vel Hunor-Mih\u00e1ly, Portik Norbert, Szvinyuk S\u00e1ndor<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Forma\u021bia Heveder:&nbsp;<\/strong>Fazakas Levente, Fazakas Albert, Szil\u00e1gyi L\u00e1szl\u00f3, Bajna Gy\u00f6rgy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Colaboratori la \u00eenregistr\u0103ri: \u00c1rend\u00e1s P\u00e9ter, Bajna Gy\u00f6rgy, Fazakas Albert, Fazakas Levente, Kert\u00e9sz J\u00e1nos, ifj. Koszor\u00fas K\u00e1lm\u00e1n, K\u00f6nczei \u00c1rp\u00e1d, Liber R\u00f3bert, Papp Istv\u00e1n G\u00e1zsa, P\u00e9ter J\u00e1nos, R\u00e9man Zolt\u00e1n, Szil\u00e1gyi L\u00e1szl\u00f3<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Post-produc\u021bie: Kert\u00e9sz Huba<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Creatori:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dramaturg: Kozma Andr\u00e1s<br>Asistent coregraf: Melles Endre\u00a0<br>Asistent coregraf, maestru de balet: Cseke \u00c1gnes<br>Asistent designer de costume: Cs\u00fcd\u00f6m Eszter<br>Maestru accesorii: Zayzon \u00c1d\u00e1m<br>Operator: L\u00e1szl\u00f3 Barna<br>Colaborator artistic, coregraf:\u00a0ifj. Zsur\u00e1fszky Zolt\u00e1n, C\u00e2\u0219tig\u0103torul Premiului Harangoz\u00f3<br>Scenograf \u0219i designer de costume:\u00a0Bal\u00e1zs Gy\u00f6ngyi<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Regizor- coregraf: K\u00f6nczei \u00c1rp\u00e1d<\/strong>&nbsp;<strong>, C\u00e2\u0219tig\u0103torul Premiului Harangoz\u00f3<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Afi\u0219 design: <\/strong>Kusztos Attila<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Regizor culise: Kar\u00e1csony Endre<br>Lumini: Bed\u0151h\u00e1zi Alp\u00e1r&nbsp;<br>Sunet: Szanday Csongor<br>Personal scen\u0103: Fegyver Botond, Maksai G\u00e1bor, Vajda Attila<br>Garderobieri: Kis Gabriella, Para Kinga&nbsp;<br>Referen\u021bi artistici: Szil\u00e1gyi L\u00e1szl\u00f3 B\u00e9la, Tusa Adorj\u00e1n<br>Secretar literar: Sz\u0151cs Ildik\u00f3<br>\u0218ef administrativ: K\u00e1tai Joc\u00f3<br>Maestru dans: Tekeres Gizella, Melles Endre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0218ef orchestr\u0103: Fazakas Levente<br>Director artistic: Iv\u00e1cson L\u00e1szl\u00f3<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Director adjunct: Sipos No\u00e9mi<br>Director: Vir\u00e1g Endre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premier\u0103<\/strong>&nbsp;6 decembrie, 2022, Sf. Gheorghe, Studioul de Dans H\u00e1romsz\u00e9k<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FESTIVALURI, EVENIMENTE EMBLEMATICE:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>A 10-a edi\u021bie a Olimpiadei de Teatru -<\/strong>\u00a0Kecskem\u00e9t 26 octombrie 2023, Veszpr\u00e9m 28 octombrie 2023 (HU)<\/li>\n\n\n\n<li><strong>Anul Memorial Mad\u00e1ch -<\/strong>\u00a0Debrecen 25 octombrie 2023; Budapest - Teatrul Na\u021bional de Dans 27 octombrie 2023 (HU)<\/li>\n\n\n\n<li><strong>Festivalul Interna\u021bional de Teatru Maghiar \u00een Bra\u0219ov, ed. VII. -<\/strong>\u00a0Bra\u0219ov (RO), 19 octombrie 2023<\/li>\n\n\n\n<li><strong>Festivalul Interna\u0163ional de Teatru REFLEX 5<\/strong>\u00a0- Sf. Gheorghe, 22 mai 2023<\/li>\n<\/ul>\n\n\n<div class=\"lazyblock-forditas-harom-ZV6DKj wp-block-lazyblock-forditas-harom\"><\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"featured_media":10408,"menu_order":9,"template":"","format":"standard","eloadas_evad":[62],"class_list":["post-7471","eloadas","type-eloadas","status-publish","format-standard","has-post-thumbnail","hentry","eloadas_evad-2022-2023"],"acf":[],"_links":{"self":[{"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/eloadas\/7471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/eloadas"}],"about":[{"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/types\/eloadas"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/media\/10408"}],"wp:attachment":[{"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/media?parent=7471"}],"wp:term":[{"taxonomy":"eloadas_evad","embeddable":true,"href":"https:\/\/hte.ro\/ro\/wp-json\/wp\/v2\/eloadas_evad?post=7471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}