The H\u00e1romsz\u00e9k Dance Ensemble is preparing a new performance based on Imre Mad\u00e1ch\u2019s play The Tragedy of The Man. The Tragedy is directed and choreographed by \u00c1rp\u00e1d K\u00f6nczei.<\/p>\n\n\n\n
\u00c1rp\u00e1d K\u00f6nczei's thoughts on the performance:<\/p>\n\n\n\n
\u201e<\/strong>Why?<\/p>\n\n\n\n Why did I think that we can create a choreography, a dance performance based on Mad\u00e1ch's Tragedy? Is it possible to express the complexity and philosophical drama of the text through the combination of music-dance-movement-scenery-film or with a shortened version of the text, or are we dooming the play to failure like Lucifer's cold logic, denial and harsh criticism which seeks flaw in everything?<\/p>\n\n\n\n British author, poet and philosopher Aldous Huxley wrote his best-known novel, the dystopia Brave New World in 1931. The novel is set in an imaginary faraway future: a perfectly organized society, a scientific caste system, free will eradicated by methodical education, free sexuality in exchange for a family and slavery made bearable by a perfect drug called \u2019Soma\u2019. In 1958 \u2013 twenty six years after the publication of the novel in 1932 - Huxley wrote the following in a series of essays entitled Return to the Brave New World: \u201eMy predictions from 1931 are fulfilling much sooner than I expected'. Huxley is long gone, he died in 1963, but what would he think about our present?<\/p>\n\n\n\n Huxley's study guided me to the work of Imre Mad\u00e1ch. Mad\u00e1ch had a similar vision of the future 100 years before Huxley, around 1859-60. In Mad\u00e1ch's time London was the most advanced society in Europe and in the world, an enormous industrial and economic power. But Mad\u00e1ch did not end his best-known play with the London scene, his own present, but instead he returned to think about the future of Adam and Eve. The phalanstery, the space, the Eskimo scenes are all pessimistic predictions, dystopias of the fall and destruction of mankind. I believe that Mad\u00e1ch's texts \u2013 which appear also in this dance-theatre-drama - are still valid and relevant today. \u201eMan has become stronger than God\", (Pharaoh). \u201eNow all the earth is a broad homeland\" (Lucifer). To which Adam's earthbound response is: \u201eI have but one regret, the notion of home, It might have lasted, I think, in this new order.\" Yes, now the new order is being formed, the brave new world, in which grand promises are being made again and the great slogans, \"Equality, brotherhood, liberty!\" are being emptied out. Through this brainwashing predicted by Huxley, through these slogans and false promises the masses can be manipulated once again into a new phalanstery.<\/p>\n\n\n\n The Tragedy performance based on Mad\u00e1ch's work is intended to be thought-provoking first of all. Through the art of dance (folk dance, contemporary dance, movement) I ask questions about the relationship between man and woman, between the individual and the masses, about faith, love, freedom, competition and the existence of the phalanstery, and I try to provide some answers as well. Without the past there is no future, says the poet Babits Mih\u00e1ly, and looking at the present I would say, without the future we have no future. \u201eI told you, man: fight, trust and be full of hope!\u201d<\/p>\n\n\n\n CAST:<\/strong><\/p>\n\n\n\n The Lord- Fazakas Tam\u00e1s Slaves, choir, heretics, friends, revolutioners, citizens, workers, students, phalanstery people: \u2013 \u00c1d\u00e1m J\u00falia, Both Eszter, Fazakas M\u00f3nika, Gere Gabriella, Kocsis Lilla-T\u00fcnde, Luk\u00e1cs R\u00e9ka, Podholiczky Rebeka R\u00e1hel, Vass T\u00fcnde, Vit\u00e1lyos Dorottya, Bakos Ern\u0151, Balla Gergely, F\u00fcl\u00f6p Zolt\u00e1n-J\u00f3zsef, Gere Csaba, Kiss Adorj\u00e1n, P\u00e1vel Hunor-Mih\u00e1ly, Portik Norbert, Szvinyuk S\u00e1ndor<\/p>\n\n\n\n Heveder Band:<\/strong> Fazakas Levente, Fazakas Albert, Szil\u00e1gyi L\u00e1szl\u00f3, Bajna Gy\u00f6rgy<\/p>\n\n\n\n Contributors to the sound recordings: \u00c1rend\u00e1s P\u00e9ter, Bajna Gy\u00f6rgy, Fazakas Albert, Fazakas Levente, Kert\u00e9sz J\u00e1nos, ifj. Koszor\u00fas K\u00e1lm\u00e1n, K\u00f6nczei \u00c1rp\u00e1d, Liber R\u00f3bert, Papp Istv\u00e1n G\u00e1zsa, P\u00e9ter J\u00e1nos, R\u00e9man Zolt\u00e1n, Szil\u00e1gyi L\u00e1szl\u00f3 Creators:<\/strong> Poster design: Kusztos Attila<\/strong><\/p>\n\n\n\n Stage manager: Kar\u00e1csony Endre The performance is not recommended for children under 14 years!<\/p>\n\n\n\n Premiere: 6 December 2022, 19:00 - Tam\u00e1si \u00c1ron Theatre Tickets for the performance can be purchased at the Central Ticket Office. Mad\u00e1ch Imre Az ember trag\u00e9di\u00e1ja nyom\u00e1n\u00a0\u00faj bemutat\u00f3ra k\u00e9sz\u00fcl a H\u00e1romsz\u00e9k T\u00e1ncegy\u00fcttes. A Trag\u00e9dia c. t\u00e1ncsz\u00ednh\u00e1zi el\u0151ad\u00e1s rendez\u0151- koreogr\u00e1fusa K\u00f6nczei \u00c1rp\u00e1d.\u00a0<\/p>","protected":false},"author":3,"featured_media":7573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-7572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/posts\/7572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/comments?post=7572"}],"version-history":[{"count":2,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/posts\/7572\/revisions"}],"predecessor-version":[{"id":7575,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/posts\/7572\/revisions\/7575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/media\/7573"}],"wp:attachment":[{"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/media?parent=7572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/categories?post=7572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/tags?post=7572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Angels' Choir - Iffi\u00fa Bor\u00f3ka, Kocsis Tekla, Kocsis \u00dcnige, Kolcs\u00e1r Zonga, Szil\u00e1gyi Katalin, Vetr\u00f3 Bodoni Fl\u00f3ra
Adam \u2013 M\u00e1rton Csaba
Eve \u2013 M\u00e1rton Edina-Em\u0151ke
Lucifer \u2013 Melles Endre
The Earth's Spirit - Er\u0151ss Judit
Catulus \u2013 Kiss Adorj\u00e1n
Hippia \u2013 \u00c1d\u00e1m J\u00falia, Both Eszter
Cluvia \u2013 Podholiczky Rebeka R\u00e1hel, Vass T\u00fcnde
Gladiators - Portik Norbert, Szvinyuk S\u00e1ndor
Peter Apostle - Fazakas Levente
Helene \u2013 Luk\u00e1cs R\u00e9ka
Robespierre \u2013 Portik Norbert
Saint-Just \u2013 Kiss Adorj\u00e1n
The Marquis - F\u00fcl\u00f6p Zolt\u00e1n-J\u00f3zsef
Mother of Eve - Luk\u00e1cs R\u00e9ka
Scientist\/phalanstery - Kocsis Lilla-T\u00fcnde
Two eskimos - P\u00e1vel Hunor-Mih\u00e1ly, Szvinyuk S\u00e1ndor<\/p>\n\n\n\n
Post-production: Kert\u00e9sz Huba<\/p>\n\n\n\n
Dramaturg: Kozma Andr\u00e1s
Assistant choreographer: Melles Endre
Assistant choreographer, ballet master: Cseke \u00c1gnes
Costumes assistant: Cs\u00fcd\u00f6m Eszter
Prop-making master: Zayzon \u00c1d\u00e1m
Cameraman: L\u00e1szl\u00f3 Barna
Artistic collaborator, choreographer: ifj. Zsur\u00e1fszky Zolt\u00e1n, Harangoz\u00f3-prize
Decor and costumes: Bal\u00e1zs Gy\u00f6ngyi
Music composer, director-choreographer: K\u00f6nczei \u00c1rp\u00e1d, Harangoz\u00f3-prize<\/strong><\/p>\n\n\n\n
Light technician: Bed\u0151h\u00e1zi Alp\u00e1r
Sound technician: Szanday Csongor
Stage staff: Fegyver Botond, Maksai G\u00e1bor, Vajda Attila
Dressers: Kis Gabriella, Para Kinga
Costume designers: Antal M\u00f3nika, Sipos- Ferencz Malvin
Performance organisers: Szil\u00e1gyi L\u00e1szl\u00f3 B\u00e9la, Tusa Adorj\u00e1n
Literary secretary: Sz\u0151cs Ildik\u00f3
Administrative manager: K\u00e1tai Joc\u00f3
Dance masters: Tekeres Gizella, Melles Endre
Orchestra leader: Fazakas Levente
Artistic director: Iv\u00e1cson L\u00e1szl\u00f3
Deputy director: Sipos No\u00e9mi
Director: Vir\u00e1g Endre<\/p>\n\n\n\n
<\/strong>Next performance: 7 December, 19:00 - Tam\u00e1si \u00c1ron Theatre<\/p>\n\n\n\n
Opening hours: Monday and Wednesday from 08.00 to 16.00, Tuesday and Thursday from 08.00 to 18.00, Friday from 08.00 to 15.00, and one hour before performances. Phone number: 0267-312104.<\/p>","protected":false},"excerpt":{"rendered":"