{"id":7531,"date":"2022-06-21T12:55:00","date_gmt":"2022-06-21T09:55:00","guid":{"rendered":"https:\/\/hte.ro\/?p=7531"},"modified":"2023-06-07T13:00:24","modified_gmt":"2023-06-07T10:00:24","slug":"tanckincs","status":"publish","type":"post","link":"https:\/\/hte.ro\/en\/tanckincs\/","title":{"rendered":"Treasure of Dances"},"content":{"rendered":"
<\/div>\n\n\n

Folklore quiz for students<\/strong><\/p>\n\n\n\n

Historical layers of Hungarian dance heritage<\/strong><\/p>\n\n\n\n

The history of European dances, from ancient ritual dances to the present-day forms of movement seen in nightclubs, has followed a very long and particular path, which was similar at first, but after a while diverged from what was happening on other continents. A very colourful and rich dance culture has developed here over time, which has travelled around the old continent several times on the wings of art-historical styles and fashions, enriching itself everywhere, and most of which has miraculously survived in the folk tradition of the Carpathian Basin to this day, much richer than anywhere else.<\/p>\n\n\n\n

In addition, of course, our dances are not just an imprint of European fashions, but also incorporate the heritage that we and the other travelling folks have brought from Asia. In addition to this and other very significant elements of our own, our dances have acquired a unique Carpathian Basin character, having been shaped and developed over time according to our own community needs, since they were no longer cultivated by other people, only by us. We also have dances that were consciously created by Hungarian music and dance creators in the Romantic era specifically for the purpose of Hungarian national self-expression, and which were then refined by the dancing people according to their own taste over generations. In addition, we Hungarians invented the house of folk dance fifty years ago as a way of passing on this whole folk dance culture in a modern urban environment, which is now known throughout the world and which more and more people are trying to learn from us.<\/p>\n\n\n\n

Our performance is a fresh and lively interactive ethnographic collection, which not only presents the older and newer folk dances preserved by the Hungarian people, but also deals with the origins of these dances, the reasons for their development and changes, level by level.<\/p>\n\n\n\n

We invite students to join the virtual museum walk with their smartphones for an exciting game.<\/p>\n\n\n\n

During our performance we are going to visit the following rooms:<\/p>\n\n\n\n

    \n
  1. Turul<\/em><\/strong> szint, <\/strong>G\u00e9za fejedelem<\/em><\/strong> terme: r\u00edtusok<\/strong><\/li>\n\n\n\n
  2. Liliomos<\/em><\/strong> szint, <\/strong>Nagy Lajos kir\u00e1ly<\/em><\/strong> terme: k\u00f6rt\u00e1ncok<\/strong><\/li>\n\n\n\n
  3. Holl\u00f3s<\/em><\/strong> szint, <\/strong>M\u00e1ty\u00e1s kir\u00e1ly<\/em><\/strong> terme: kett\u0151s t\u00edpus\u00fa t\u00e1ncok <\/strong><\/li>\n\n\n\n
  4. S\u00e1rk\u00e1nyfog<\/em><\/strong> szint, <\/strong>B\u00e1thory Istv\u00e1n fejedelem<\/em><\/strong> terme: ugr\u00f3st\u00e1ncok \u2013 fegyvert\u00e1ncok<\/strong><\/li>\n\n\n\n
  5. T\u00fcnd\u00e9rkert<\/em><\/strong> szint, <\/strong>Bethlen G\u00e1bor \u00e9s a R\u00e1k\u00f3czi-fejedelmek<\/em><\/strong> terme: forgat\u00f3sok \u00e9s leg\u00e9nyesek <\/strong><\/li>\n\n\n\n
  6. Szabads\u00e1g, szerelem<\/em><\/strong> szint, <\/strong>Pet\u0151fi S\u00e1ndor<\/em><\/strong> terme: verbunk \u00e9s cs\u00e1rd\u00e1s <\/strong><\/li>\n\n\n\n
  7. Boldog b\u00e9keid\u0151k<\/em><\/strong> szint, \u201e<\/strong>s\u00e1nta n\u00e9metes<\/em><\/strong>\u201d terem: polg\u00e1ri t\u00e1ncok, polk\u00e1k, kering\u0151k<\/strong><\/li>\n<\/ol>\n\n\n\n

    Choreographers: <\/strong>Farkas Tam\u00e1s m.v., Farkas \u00c1gnes m.v., Melles Endre, Tekeres Gizella
    Music edited by:<\/strong> Fazakas Levente
    Technical adviser:<\/strong> K\u00e1d\u00e1r Elem\u00e9r<\/p>\n\n\n\n

    Director-choreographer: Iv\u00e1cson L\u00e1szl\u00f3<\/p>\n\n\n\n

    Dance company: \u00c1d\u00e1m J\u00falia, Bakos Ern\u0151, Balla Gergely, Both Eszter, Gere Csaba, Gere Gabriella, Fazakas M\u00f3nika, F\u00fcl\u00f6p Zolt\u00e1n-J\u00f3zsef, Kiss Adorj\u00e1n, Kocsis Lilla-T\u00fcnde, Luk\u00e1cs R\u00e9ka, M\u00e1rton Csaba, M\u00e1rton Edina-Em\u0151ke, Melles Endre, P\u00e1vel Hunor-Mih\u00e1ly, Podholiczky Rebeka-R\u00e1hel, Portik-Cseres Norbert, Szvinyuk S\u00e1ndor, Vass T\u00fcnde, Vit\u00e1lyos Dorottya<\/p>\n\n\n\n

    Singer:<\/strong> Er\u0151ss Judit<\/p>\n\n\n\n

    Heveder orchestra: Levente Fazakas, Albert Fazakas, L\u00e1szl\u00f3 Szil\u00e1gyi, Gy\u00f6rgy Bajna<\/p>\n\n\n\n

    Sound technicians:<\/strong> Kelemen Istv\u00e1n, Vajda Attila
    Light technician:<\/strong> Bed\u0151h\u00e1zi Alp\u00e1r
    Stage and technical staff:<\/strong> Fegyver Botond, Maksai G\u00e1bor
    Dressers:<\/strong> Kis Gabriella, Para Kinga
    Stage manager:<\/strong> Kar\u00e1csony Endre<\/p>\n\n\n\n

    Dance masters: <\/strong>Tekeres Gizella, Melles Endre
    Orchestra leader:<\/strong> Fazakas Levente
    Artistic director: <\/strong>Iv\u00e1cson L\u00e1szl\u00f3
    Literary secretary:<\/strong> Sz\u0151cs Ildik\u00f3
    Performance organisers:<\/strong>k: Szil\u00e1gyi L\u00e1szl\u00f3 B\u00e9la, Tusa Adorj\u00e1n
    Administrative manager:<\/strong> K\u00e1tai Joc\u00f3
    Deputy director: <\/strong>Sipos No\u00e9mi<\/p>\n\n\n\n

    Director:<\/strong> Vir\u00e1g Endre<\/p>\n\n\n\n

    Poster design: Kusztos Attila<\/p>\n\n\n\n

    Premiere: <\/strong><\/p>\n\n\n\n

      \n
    • 31 May, 13:30- Sf. Gheorghe, H\u00e1romsz\u00e9k Dance Studio (organised performance)<\/li>\n<\/ul>\n\n\n\n

      More organised performances in the H\u00e1romsz\u00e9k Dance Studio: <\/strong><\/p>\n\n\n\n

        \n
      • 1 June, 19:00<\/li>\n\n\n\n
      • 2 June, 13:30<\/li>\n\n\n\n
      • 3 June, 13:30<\/li>\n<\/ul>\n\n\n
        <\/div>","protected":false},"excerpt":{"rendered":"

        Folklore quiz for students
        \nHistorical layers of Hungarian dance heritage<\/p>","protected":false},"author":3,"featured_media":7468,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-7531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hirek"],"acf":[],"_links":{"self":[{"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/posts\/7531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/comments?post=7531"}],"version-history":[{"count":4,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/posts\/7531\/revisions"}],"predecessor-version":[{"id":8023,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/posts\/7531\/revisions\/8023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/media\/7468"}],"wp:attachment":[{"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/media?parent=7531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/categories?post=7531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hte.ro\/en\/wp-json\/wp\/v2\/tags?post=7531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}